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Creative Writing |
| "The Musical Priestess" |
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©2001-2007 J. Beau Buffington
Somewhere between Oz and Mid-Missouri, between Walnut and Broadway, across from Glens Café and the Blue Stem art gallery is the Dreamcatcher. One can buy skateboard excessories, obtain an exotic piercing in a sensitive region, or peruse cutting-edge techno music from the Four Corners of the globe. I was in town with my mom, having visited a local osteopath who listened to my cranial pulses with his fingertips, cracked my back with two fingers, and snapped my crotch like a wishbone. (I didnt even know my crotch would do that, I told him, and now I wish that I still didnt!) She went to Blue Stem, so I crossed the street, gingerly hopped onto the sidewalk, and passed through the glass door that seems eternally open to Ninth Street. The air always seems a little spicier in the Dreamcatcher, a mixture of incense and cardboard and vinyl and antiseptic solution. I went straight to the vinyl even though I havent got any decks. Having developed a taste for the rougher sounds of British drum-and-bass, my perception focused in on the slot labeled Jungle: AK1200--Aphrodite--DillinjaGrooverider--Goldie--LTJ Bukem. Hmmm, nothing new. A young fellow approached me.
Can I help you find something? His dark eyes twinkled beneath the shadow of his visor. Alex was a young fellow who seemed to grow younger before my eyes: his dark complexion and eyes seemed to exude a boyish charm and impish sense of humor that was contagious. His rhythmic, bouncy mannerisms made me want to dance. He suddenly piped up, Hey man, do you mix drum samples? Have you ever heard this one? He slapped the rhythm out on his slender chest:
bum-bum-BA-bum-ba-dum-BA-bum-bum-BA-bum-ba-dum-BA. Fast-forward three weeks to the night of the show. I got to Dreamcatcher at about 8:00 PM. Alex wasnt there. I looked over the counter at the glittering, effeminate man who was chatting with two lovely women looking at vinyl hotpants. I really dont know why I didnt ask him about Alex; maybe I did, but his reply didnt leave an impression. The girls did. I got to the nightclub well before the show would start, drank a beer, cased the dancefloor, qi-konged to clear the energies, pipedreamed about how cool it would be to party with Aphrodite. The club soon began to fill with people of all shapes and sizes: glittering blondes in white halter tops, button down frat boys with gelled hair slicked down like a shiny road hazard, floppy-dreadlocks thrasher guys in saggy cut-off jeans, painted mimes dressed in golf attire. The pre-show soon swelled into a throbbing kaleidoscope of glitzy colors, glitzy lights, glitzy beats, and glitzy boys and girls. I didnt know whether I would have an opportunity to meet the Grecian goddess namesake of British drum-and-bass dance music but I brought my flutes in the chance that we might make beautiful music together, Aphrodite and me. I went out to my van and returned to the nightclub with my flutes in hand. I confidently approached the well-muscled bouncer. I want to jam with the DJs. He carefully sized-up the police-baton sized aluminum flute as his brown eyes narrowed and brown muscles flexed. Quickly, I put the flute to lips and summoned a distant tune from its metallic shell. His narrow eyes widened, his dark eyebrows arched upward. He mouthed several syllables into the microphone headset he wore. He extended his elbow at 90 degrees to his body and thrust his palm towards the door. Wow! I thought to myself its like I just passed the first test or something. Wait! I had passed the first test! I walked quickly past the bar, through the growing throng of ravers and approached the blood velvet rope partition in front of the psychedelic movie screen: computer-generated lunar landscape fly-overs morphing into blazing stuntmen kaleidoscopes morphing into pink transparent feminine fetuses flickering forth like wrinkled rose petals tumbling down the hillside. Right about that time, the music had commenced its wicked, rolling breakbeat surge and flow. The air shimmered with excitement. The cute sugar-frosted blonde stared innocently from the other side of the rope and looked me square in the eyes. I materialized the snake charmer once again and started to say, I want to
. She opened the clasp without batting an eye. I walked through without breaking stride. I had passed the second test! Just as I stepped through the threshold, that iridescent man in skin-tight tiger-stripped shirt and those scintillating, etheric goddesses fluttered past from the other side. The boy flashed his designer smile and one eye flashed and twinkled as the other dulled to the dramatic crescendo of the music. I was momentarily stunned by the brilliant flash of femininity the two women had impressed upon my mind's eyes. Like a flashbulb of sexuality that went off with pupils fully dilated, the image of his two highly preened female companions was slow to fade in my memory. I worked over a few riffs and inched toward the short staircase leading up the stage. With certain trepidation, I stepped higher, higher, HIGHER! I stepped through the smoky, fog-machine threshhold of a new atmosphere. I stepped off onto the edge of the stage where I gained a birds eye view of the DJs decks and his flashing lights and switches and buttons. The glowing orbs were within my reach! I had passed the third stage! The MC took a step towards me. I shouted again, I want to
. And the words were washed away like saplings in the deluge of British jungle flood. Again, I pressed the flute to my lips and a snake charm came floating up from its shiny guts. It was in the same key! The MC thrust the microphone to chin level and I reverently blew a single note that floated out over the stage, percolated over the electronic breakbeats and angry plunging sub-aural baseline onto the dancefloor where it pooled in the currents and eddies of grinding mechanical rhythms and tantric ravers. The hair stood at attention on my neck. Abruptly, unrhythmically those same glittering halter tops and golf-clad mimes and thrasher dread dudes began to knit and bob with quizzical countenance. Their white halter-tops stopped knitting, their velour visors stopped bobbing, the thrasher-dreads stopped rattling like a beaded curtain skirted by a nightvisitor and all hearkened to listen. Suddenly, the MC pulled the mic away.
Sorry, gain bumpfff tungle jeething
he mumbled. Still, he thrust the mic forward. I blew another note against the rhythmic shakes and surges. The MCs eyes widened. The ravers surged closer as eyes narrowed in to the true source of the earthy tones. They began to float towards the melodic waterfall, drawn by a sudden organic urge to merge with this curious sonance which emanated as if by spontaneous combustion amidst a barrage of electronic rhythms. There was an audible crackle in the audience; the excitement was palpable and delicious. I crouched behind the speaker and blew a brief melody, tones that flowed like a quicksilver river flowed down like metallic rain into a hail of mechanical breakbeats. I blew several more notes and played through another brief melody that echoed and flowed as the fuzzy sub-bass swarmed like a nest of angry robot hornets. Mechanical rain intensified. Airy notes flowed out like a gentle reassurance of time and place. The MC suddenly pulled the Mic away.
The UmFf mYa BloD thE gOufv!
The DJ suddenly took leave of his decks and stepped towards me. His decks continued their glowing rotations. He smiled and put his hand out to me. The whole while, pipe dreams began to skirl in my minds eye: I was going to be discovered by Aphrodite and go on the road with him and his entourage of glamour girls and photographers and glittering blondes and raver mimes and thrasher-dreadlocks skater dudes that could fling crooked elbows and bob and sway with sloped backs and such disjointed rhythm they seemed to levitate on the dancefloor.
You bLoW Iv gRot to gAfeOmNmnou
I watched the backside of the movie screen as the psychedelic fly-over movies rolled on. After the same scenes cycled through three and four times, I decided it was time to provide some variety. Laughingly, I fingered notes in silhouette against the back of the movie screen as the horns of the Superman theme blasted out of Aphrodites decks. One of the roadies approached me with a belligerent grimace. He watched for a moment. Youre not playing that! he finally concluded with indignence as he turned and walked away. A body plopped down next to me. It was Alex! My throat dried. I suddenly desperately craved something wet and malty. I crossed the velvet barrier once again, making sure to smile real nice for sugar frosted girl. I moved through the writhing throng of ravers and shouted a few rhythmic Yeeoohhss!! on my way through the tangled mess of clubbers, occidental princesses walking like Egyptians, golf-shoe clad mimes and floppy dreads dew rag skater dudes with sloped backs and knee jerk rhythm. All pulsed and shook with embryonic remembrance of fetal gestation within a surging musical womb. I pushed and pulled my way back to the bar where I rolled my way to the bottom of a rolling rock. I bummed a cigarette and shouted a few more Yeehoowhhss and wound my way back through the undulating melee to the bathroom. Push the door open. Step through the threshold. Back behind the mental partition, somewhere between Oz and Mid-Missouri, I flopped back into a pink vinyl diner bench just behind the psychedelic movie screen. If I can just wait this out here, I might have a chance to meet Aphrodite, I reassured myself.
Why did you come here? I asked.
Well
he started, I was asked, he finished. The record skipped off the track. Man, I didnt think that question through too well. I could have asked him anything else upon which we could build intelligent conversation that would lead to a brief demonstration on my part that might lead to a correspondence that would lead to a studio visit and eventually a slot in his next tour. My words were still echoing in my brain, mocking me and teasing me, reverberating in my mind. As the words came back, they almost came off like an accusation How could you bring this evil music to our innocent town? Ah well, that was that. He was already talking to the other guys again, they were talking about rap and hip-hop and the other fellows looked like fans, like Fat-Albert characters: one short and fat with a floppy hat and the other tall and skinny with BCD-type eyeglasses. The staff in the bar was clearing the dancefloor out. Muscular bouncers in tight T-shirts slammed chairs under tables, paced impatiently and shouted, Shows over ..everyone OUT! I bolted toward the exit door in the rear behind the movie screen, followed the metal stairs to the alley outside. It was cold and rainy. I was alone. I liked it better inside. I flew back up the metal staircase to the landing then noticed a longer staircase that led down into the basement. I peeked around the corner towards the stage. Aphrodite was already gone. Hmmmm. I passed the third test ..I HAD PASSED THE THIRD TEST! I had come so close to making a connection with the dance-music deity that I had to perserver. I stared timidly down the staircase leading into the basement. A couple guys from the bar brushed by me. I continued downward. Each step upon metallic step seemed to echo with brash character. Upon reaching the bottom of the stairs, I tiptoed around empty crates of booze, slipped through the cashed tanks of beer and peeked around the corner into the room that flickered with a phosphorous glow. It was the nerve center for the enter club: an electronic spy-hole! There were 3 televisions with closed-circuit video of the bar and dancefloor. One chap about my age with the hair and beard of a yard gnome was looking at digital pictures he had taken during the show. Another spy-hole gnome was playing back a digital recording of Aphrodites set. A third was telling a story to a cluster of pretty, young women. I had definitely passed the fourth, maybe fifth test but, hell, who was counting? The roadie who had discovered my mock production during the Superman theme in Aphrodites set walked in with a couple of girls. How did you get down here, flute-boy? Suddenly, another roadie popped into the spotlight. Aphrodites outside and were ready to go! It was more effective than a fire-drill to clear that basement out. Soon, we were outside in the rain, dividing up passengers and cars. Aphrodite was going with that thin, balding owner, the Dave Mathews look-alike. Alex was gone. I was alone again. Me and my flutes Well, see you guys there and I couldnt hear the sound of my own voice with the sound of car doors slamming and vehicles screeching onto the wet pavement. Club-Rogue. Hmmm. I went to a show there one time on my friends birthday. It was a long time ago but I thought I recalled how to get there. I didnt. I got off the interstate twice to ask directions. And I didnt even need to get on the interstate even once. The second time, for some reason, I was compelled to buy a watch, a rugged-looking Boy scout number with a Velcro band. Maybe I was just too embarrassed to ask the female clerk for directions to a strip club with empty hands. By the time I got to Club Rogue, it was closed. I checked the time on my new watch. Hell. I hadnt even set the damn thing yet. It had to be past 2:00 a.m. anyway. I ran my hands over the contours of the facade columns that camouflaged the door from casual observance and listened intently for any sound from the other side. Nothing. It was closed all right. I looked around. There was no one and no traffic on the street. The only light was the sign from the Lucky 7 Motel. I crossed over the street and rang the bell on the outside of the lobby. A middle-aged Indian woman with wiry hair in disarray popped her head up and impatiently asked me if I wanted a room. Is Aphrodite staying here? I knew it was a long shot but it wouldnt hurt asking. Ahhh well, it was worth a shotall of it. I had come so close that I had to know if this was the end of Aphrodites road as it would be for me. Maybe I could catch the party out by the pool never mind that it was November and surely nobody would be interested in swimming. She flashed a pinched grin and subtly nodded her head. So I got my roomkey with curvy, pink plastic fob dangling, pulled my Silver Bucket minivan around, grabbed my toothbrush, flew up the stairs, flung the metal door open and entered into the room. It unfolded like the inside of a stale vagina: pink curtains and bedspreads with deep sanguine shag carpeting and a red vinyl chair. Quite a fitting conclusion to the evening with all of it ups and downs and surging undulations of embryonic remembrance of festal gestation within that musical womb. I would rest my body on pink satin sheets tonight. I immediately stripped the pink comforter of the bed and threw it to the floor. My mom always said they never washed those things. I flopped back down onto the sheets, picked up my flute and began to work over some of the riffs that the show had inspired in me. About this time, I heard the laughter of a female and the twinkling of a melody, a whimsical sound emanated from the other side of the wall, like the keys of a toy piano being tickled with some expertise. We seemed to play together for a moment, in a brief musical question-and-answer. In spite of the muffled awkwardness of separation by plaster and paper, I was momentarily stunned by irony and suspended by disbelief. Finally, I was making music with Aphrodite! TONIGHT, I HAD PLAYED WITH THE GODDESS! |